Santa Clara 1728
If Lisbon had a sanctuary, this would be it. Santa Clara 1728 transforms a centuries-old mansion overlooking the Tejo river into a temple of calm: limestone, light, and long, quiet shadows drifting across perfectly spare spaces.
If Lisbon had a sanctuary, this would be it. Santa Clara 1728 transforms a centuries-old mansion overlooking the Tejo river into a temple of calm: limestone, light, and long, quiet shadows drifting across perfectly spare spaces.
Santa Clara 1728 is the Lisbon chapter of Silent Living, João Rodrigues’s poetic collection of restored family homes that celebrate life’s quieter rhythms. In collaboration with architect Manuel Aires Mateus, Rodrigues has created spaces that feel more like sanctuaries than hotels—places where time slows, light softens, and simplicity becomes a kind of luxury. Set within an elegant 18th-century mansion in Lisbon’s Alfama district, overlooking the Tejo River and the dome of Santa Engrácia, the six-room guesthouse feels suspended between history and serenity. Each detail whispers of craftsmanship and calm: smooth limestone bathtubs carved from Sintra stone, pale timber floors that catch the morning light, and linens that move softly with the breeze. The palette is subdued, but never austere; it’s a space designed for presence, not performance. Outside, Alfama’s tiled façades and miradouros call for wandering, but inside, time loosens its grip. Afternoons unfold in stillness: a book by the window, sunlight across limestone floors, a glass of vinho verde on the terrace as the Tejo glimmers below.
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